Plein Air Writing

Last month the Dana Gallery in Missoula held their annual Paintout.  Several local writers were invited to accompany the artists into the field and write in response to the scene.  I was fortunate to join Robert Moore in the Lavelle Creek valley.  The paintings and writings are on display at the gallery through August.

 

 

 

 

Word Painting 

Begin with an underpainting. Great gravelly shores of a lake tens of thousands of years gone. Dusky grey with thin soils that lie heaped to the horizon line. Begin to sketch in the grasses whose network of roots hold that soil from gathering up into the winds that rake this slope.

Pull the individual stems from the plain brown hillside. Mix words on your palette to give definition to those grasses. Timothy and fescue, tawney and ecru, tufted hairgrass and sedge, raffia and buff. Struggle to give the right shape to your words so feathery seed heads come alive and dance on the page as they are shimmying now in the breeze. Look closer and see the greens that are woven into the tapestry. Sagey lupine heavy with furred pods and dusty verdigris balsam root drying in the searing sun. Try to capture the rustle of leaves and stems as some unseen creature darts among the safe cover of grasses, while overhead a feathered form sails across the clear blue sky.

Upslope, the burnt umber shadow of the single pine pools from its base and crawls uphill. How to render the ponderosa? Not spired like spruce or leggy like lodgepole. Words must spread in great boles and boughs, tufted with long needles. Pull the vanilla scent from the puzzled bark onto the page. Try to find the right values for your words. Suddenly the rock nestled at the foot of the ponderosa resolves itself into the hunched form of a wild turkey, escaping the midday sun.

Let the image of the turkey pull you into your own cool shade. Hunker yourself into the shadow of the serviceberry bush that softens the roadcut where you sit, dabbing letter into word into image.

You read the scene you have painted on the page. You like the way the colors mix and blend, the shading that has given it depth, and pulled you into the picture.

A branch dangles just above your eyes, heavy with small hard berries. Know they will ripen with time into something that will nourish you, the way all this foliage is transforming sunlight into life.

2 thoughts on “Plein Air Writing

  1. Peggy, I love the idea of your words “pulling” the colors, shapes, sounds, and scents of your surroundings onto the page! Wow!

  2. Peggy,
    Your visual, dare I say, painterly vocabulary in this piece is remarkable! Were you able to conjure these words while you sat there, or did you resort to a thesaurus once you were home at your desk?
    Amazing, colorful result, regardless….
    Kathy

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